ColorplanBenjamin Moore Going to the Chapel (1527) is a light beige with a warm yellow undertone and an LRV of 73. Closest matches: Sherwin-Williams Natural Choice (SW 7011), Farrow & Ball School House White (No.291) and Behr Silver Drop (790C-2). For trim, try White (OC-151).
Room Preview
This photo shows walls only. Photos show the color in a real room's light; your own light will change it.
Suggested trim and ceiling are Benjamin Moore whites that share this color's undertone.
Color Details
| Family | Beige |
| LRV | 72.7 (light; 0 = black, 100 = pure white) |
| HEX | #E0DED1 |
| RGB | 224, 222, 209 |
| HSL | 52°, 19%, 85% |
About Going to the Chapel
Going to the Chapel (1527) is a light beige from Benjamin Moore with a warm yellow undertone. With an LRV of 73, Going to the Chapel reflects most of the light that hits it, which helps small or dim rooms feel larger.
In north-facing rooms the cool daylight tones down Going to the Chapel's warmth, so it can read a little grayer; south- and west-facing light brings the warmth forward. It's a good fit for open-plan living areas, hallways, living rooms and bedrooms. It's very close to November Rain (OC-50); you'd mostly see the difference side by side.
How Going to the Chapel changes with the light
Going to the Chapel has a fairly balanced undertone: it shifts a little cooler in north light and a little warmer in afternoon west light, which makes it an easy choice for most rooms.
North-facing rooms
In north light Going to the Chapel will look a little cooler and grayer than on the chip.
East-facing rooms
Going to the Chapel will look warmer and brighter in the morning and cooler and grayer by afternoon; check a sample at both times.
South-facing rooms
Bright south light shows Going to the Chapel close to its true color, slightly lighter and warmer.
West-facing rooms
Going to the Chapel will glow warmer in the late afternoon.
See Going to the Chapel in real homes
Photos people have shared of Going to the Chapel in their own rooms. Opens Instagram or Pinterest in a new tab.
Going to the Chapel equivalents in other brands
The closest color from each brand. ΔE (“delta E”) scores how different two colors look: under 2.5 is very hard to tell apart on a wall, over 5 is clearly different.
Sherwin-Williams
Very close · ΔE 1.4
Also close: Oyster White (ΔE 1.5)
Compare side by side →Farrow & Ball
Very close · ΔE 1.4
Also close: Slipper Satin (ΔE 2.0)
Compare side by side →Similar Benjamin Moore colors
Going to the Chapel questions
What undertone does Going to the Chapel have?
Going to the Chapel has a warm yellow undertone, so it reads as a warm color. In north-facing rooms the cool daylight tones down Going to the Chapel's warmth, so it can read a little grayer; south- and west-facing light brings the warmth forward.
Is Going to the Chapel a light or dark color?
Going to the Chapel has a light reflectance value (LRV) of 72.7 on a scale where 0 is black and 100 is pure white, which makes it a light color. With an LRV of 73, Going to the Chapel reflects most of the light that hits it, which helps small or dim rooms feel larger.
What is the closest match to Going to the Chapel in other paint brands?
Sherwin-Williams: Natural Choice SW 7011 (very close, ΔE 1.4); Farrow & Ball: School House White No.291 (very close, ΔE 1.4); Behr: Silver Drop 790C-2 (very close, ΔE 1.4). Matches are calculated with the CIEDE2000 color difference formula; always check a physical sample before buying.
What trim and ceiling color goes with Going to the Chapel?
Try White (OC-151) on trim and Distant Gray (OC-68) on the ceiling. Both are Benjamin Moore whites that share Going to the Chapel's undertone.
Where does Going to the Chapel work best?
Going to the Chapel works well in open-plan living areas, hallways, living rooms and bedrooms. With an LRV of 73, Going to the Chapel reflects most of the light that hits it, which helps small or dim rooms feel larger.
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