Colorplan

Peatmoss

2103-30 · Benjamin Moore

LRV 9 · dark

0 black100 white

Color Preview Collection

Benjamin Moore Peatmoss (2103-30) is a very dark red with a soft pink undertone and an LRV of 9. Closest matches: Farrow & Ball Etruscan Red (No.56). For trim, try Pink Bliss (2093-70).

Room Preview

This photo shows walls only. Photos show the color in a real room's light; your own light will change it.

Walls:Peatmoss

Suggested trim and ceiling are Benjamin Moore whites that share this color's undertone.

Color Details

FamilyRed
LRV9.2 (dark; 0 = black, 100 = pure white)
HEX#754B41
RGB117, 75, 65
HSL12°, 29%, 36%

About Peatmoss

Peatmoss (2103-30) is a very dark, medium-strength red from Benjamin Moore that leans pink. With an LRV of 9, Peatmoss absorbs most light. It creates a dramatic, enveloping look and suits accent walls, cabinetry and well-lit rooms.

In north-facing rooms the cool daylight tones down Peatmoss's warmth, so it can read a little grayer; south- and west-facing light brings the warmth forward. It's a good fit for accent walls, front doors, cabinetry and powder rooms. It's very close to Pumpernickel (2102-20); you'd mostly see the difference side by side.

How Peatmoss changes with the light

Peatmoss is a deep color. In north-facing or dim rooms it reads darker and cozier; in south-facing rooms it shows more of its color. Either can work, depending on the mood you want.

N

North-facing rooms

Peatmoss will read even deeper in north light: great for a cozy, enveloping room, less so if you want it bright.

E

East-facing rooms

Peatmoss will look warmer and brighter in the morning and cooler and grayer by afternoon; check a sample at both times.

S

South-facing rooms

In strong south light Peatmoss can turn noticeably more yellow or orange; test a sample at midday.

W

West-facing rooms

Peatmoss will glow warmer in the late afternoon, so check it at sunset if you want to avoid a strong yellow cast.

See Peatmoss in real homes

Photos people have shared of Peatmoss in their own rooms. Opens Instagram or Pinterest in a new tab.

Peatmoss equivalents in other brands

The closest color from each brand. ΔE (“delta E”) scores how different two colors look: under 2.5 is very hard to tell apart on a wall, over 5 is clearly different.

Sherwin-Williams

Fireweed SW 6328

Closest available · ΔE 7.3

Also close: Sommelier (ΔE 8.0)

Compare side by side →

Farrow & Ball

Etruscan Red No.56

Close · ΔE 3.2

Also close: Preference Red (ΔE 7.1)

Compare side by side →

Behr

Red Pepper PPU2-02

Closest available · ΔE 5.1

Also close: Chipotle Paste (ΔE 5.3)

Compare side by side →

Similar Benjamin Moore colors

More red paint colorsAll Benjamin Moore colors

Peatmoss questions

What undertone does Peatmoss have?

Peatmoss has a soft pink undertone, so it reads as a warm color. In north-facing rooms the cool daylight tones down Peatmoss's warmth, so it can read a little grayer; south- and west-facing light brings the warmth forward.

Is Peatmoss a light or dark color?

Peatmoss has a light reflectance value (LRV) of 9.2 on a scale where 0 is black and 100 is pure white, which makes it a very dark color. With an LRV of 9, Peatmoss absorbs most light. It creates a dramatic, enveloping look and suits accent walls, cabinetry and well-lit rooms.

What is the closest match to Peatmoss in other paint brands?

Sherwin-Williams: Fireweed SW 6328 (closest available, ΔE 7.3); Farrow & Ball: Etruscan Red No.56 (close, ΔE 3.2); Behr: Red Pepper PPU2-02 (closest available, ΔE 5.1). Matches are calculated with the CIEDE2000 color difference formula; always check a physical sample before buying.

What trim and ceiling color goes with Peatmoss?

Try Pink Bliss (2093-70) on trim and Pink Essence (881) on the ceiling. Both are Benjamin Moore whites that share Peatmoss's undertone.

Where does Peatmoss work best?

Peatmoss works well in accent walls, front doors, cabinetry and powder rooms. With an LRV of 9, Peatmoss absorbs most light. It creates a dramatic, enveloping look and suits accent walls, cabinetry and well-lit rooms.

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